📿 Shloka Collection

Lalita Devi — Dhyana Shloka

Lalita Sahasranama — Dhyana Shloka Stotra
📖 Lalita Sahasranama (Brahmanda Purana)
सिन्दूरारुणविग्रहां त्रिनयनां माणिक्यमौलिस्फुरत्
तारानायकशेखरां स्मितमुखीमापीनवक्षोरुहाम् ।
पाणिभ्यामलिपूर्णरत्नचषकं रक्तोत्पलं बिभ्रतीं
सौम्यां रत्नघटस्थरक्तचरणां ध्यायेत् परामम्बिकाम् ॥
Sindooraaruna vigrahaam trinayanaam maanikyamaulissphurath
Taaranaaayaka shekhaaraam smitamukheemaaapeena vakshoruhaam |
Paanibhyaam ali poorna ratna chashakam raktotpalam bibhrateem
Saumyaam ratna ghata stha rakta charanaam dhyaayet paraam ambikaam ||
सिन्दूरारुणविग्रहाम्
whose form is red like vermilion
त्रिनयनाम्
three-eyed
माणिक्यमौलि
wearing a crown of rubies
तारानायकशेखराम्
adorned with the moon (lord of stars) as her crown
स्मितमुखीम्
with a gentle smiling face
रत्नचषकम्
a jewelled cup (of wine)
रक्तोत्पलम्
a red lotus
परामम्बिकाम्
the supreme Mother

This dhyana (meditation) shloka is recited before the Lalita Sahasranama to fix the mind on the form of the Goddess. It describes Lalita Tripura Sundari — the supreme Mother — in vivid, jewel-like detail.

She is red like sindoor (vermilion), three-eyed, crowned with rubies, wearing the crescent moon, smiling gently. In her hands she holds a jewelled cup and a red lotus. She rests her feet on a jewelled vessel.

The purpose of a dhyana shloka is to give the mind a luminous, precise form to rest on during meditation or puja — making the formless divine approachable through form.

The Lalita Sahasranama is found in the Brahmanda Purana, in the section called Lalitopakhyana. It was narrated by the sage Agastya.

Lalita Tripura Sundari (also called Rajarajeshvari or Shodashi) is one of the ten Mahavidyas — forms of the Goddess Shakti — and is especially central to the Shri Vidya tradition of Tantra.

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