📿 Shloka Collection

Etacchrutva Vachanam Keshavasya

Gita 11.35 Bhagavad Gita
📖 Bhagavad Gita, Chapter 11 — Vishwarupa Darshana Yoga
एतच्छ्रुत्वा वचनं केशवस्य कृताञ्जलिर्वेपमानः किरीटी ।
नमस्कृत्वा भूय एवाह कृष्णं सगद्गदं भीतभीतः प्रणम्य ॥
Etacchrutva vachanam keshavasya kritanjalir vepamana kiriti
Namaskritva bhuya evaha krishnam sagadgadam bhitabhitah pranamya
एतत् श्रुत्वा
having heard this
वचनम् केशवस्य
the words of Keshava (Krishna)
कृताञ्जलिः
with folded hands
वेपमानः
trembling
किरीटी
the crowned one — Arjuna
सगद्गदम्
in a choked voice, with faltering speech
भीतभीतः
deeply frightened, trembling with fear

Sanjaya pulls the camera back. We are no longer inside Arjuna's vision. We are watching Arjuna himself from the outside — and what Sanjaya sees is a trembling man. Hands folded. Body shaking. Bowing again and again. Voice choked. Deeply, deeply afraid.

The word 'bhitabhitah' — frightened and frightened again, doubled for emphasis — tells us this is not ordinary fear. This is the fear that comes after hearing the creator of the universe say 'I am Time, the destroyer of worlds.' Arjuna has just been told that the people he loves are already dead. That he is merely an instrument. That Time has already consumed everything. No warrior training prepares a person for that.

And yet he speaks. Trembling, choked, afraid — he speaks. What follows (11.36 onward) is not a scream or a collapse. It is a hymn of praise. The greatest prayer often comes not from a place of calm but from a place of being completely overwhelmed and choosing devotion anyway.

This is a narrative shloka spoken by Sanjaya to the blind king Dhritarashtra. It serves as a bridge between Krishna's devastating revelation (11.32-34) and Arjuna's second round of praise (11.36-46). The title 'Kiriti' (the crowned one) is one of Arjuna's names, referring to the divine crown given to him by Indra.

The shift in speaker — from Krishna and Arjuna back to Sanjaya — reminds us that this entire dialogue is being relayed to Dhritarashtra, who cannot see any of it. Sanjaya's role as witness gives the passage an additional layer of gravity.

Chapter 11 · 35 / 55
Chapter 11 · 35 / 55 Next →